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[7] did not Toys and sound - Mupi Cinevisor and shortcuts usually time - Emiglino Cicala

Now the thing that I have always believed in the story just Grendizer and 'the fact that his enemies might come and go as if by Vega they were at a stone's throw away.

Throughout the series, not a single mention of theory and 'formulated to explain this curious affair.

then we say that those are stupid Star Trek came up with the speed 'curvature, inertial dampers and more.

Then we say that anyone who looks Stalker to understand Relativity 'General' stupid as you can see and understand everything and Moon 'disappointingly on.

I remember when I attended the Academy of astrophysics that a robotics professor asked the following domada (a trick that we call a robot falsehoods' the iterated that makes life easier because if one says, "I ask you a question a falsehood 'iterated' you immediately understand and respond on subcontrario response protocol. It then e 'has been removed falsehood' iterated 'cause you just do not understand why' one should waste time to ask questions, get answers to unfounded unfounded):

which amounts' of uniformly accelerated motion is impressed that he will move a spacecraft from the horizon of events with a diameter of 3 parsecs?

A colleague of mine said that human robot (robotics academy does not exist in the reductio ad absurdum, if something is' absurd and the proof 'and that' done by humans) that lead ship in the vicinity 'of the event need to experience the consequences.

And then I'm stupid I was doing the calculations?

I think.

There are individuals who always find shortcuts.

Now, I understand that it is a bit 'of time which is not seen around Grendizer.

and I 'became obvious then get a Mupi CineVisor eighties.

The Mupi and 'a little "TV" (in reality' a sheet of opaque plastic) upon which 'concealed a micro projector super8.

The "boxes" in the film are stuck to the side of the screen projected on the display and plastic frames.

boxes were different. There were cartoons, the series, the comic, but not full episodes, they were reduced.

These segments were defined (10, 20, 30 / 2) arbitrarily cut and used as content of the tapes that apparently saw the children of the eighties, and to review so much fun to infinity.

This model super luxury 'even with a wired remote control for forward and rewind the film and viniletto (a true all-embracing microdose) used for sound film.

I decided to carefully analyze Grendizer to unravel the secrets of speed 'than that of light used (obviously) Vega's army in its movements.

I decided to use a reduction to take advantage, too, for once, a shortcut.

fools you if you've seen the whole series ...

- Here a few frames from Mupi .

- Here Mupi ingrandit o.

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A funeral pie for Qoob

Ponzo Bambozo says that the TV and 'dead. Now I'm not an expert in mass media but in principle I do not think he said something original. Original and 'the light in his eyes when he says it. So I decided to give him credit.

course, this obviously does not mean that there will be 'more' television. I guess. Perhaps it means that a whole world of people who still rely on television to be entertained there one that 'another one of TV is already 'and that unless it exists and develops mainly during the first things with little effort to win the second.

If I were to judge on the basis of productive I would even say that TV does not exist anymore '. There is no more 'TV of the eighties and nineties that mode' and often perverse 'was innovative (or a continued path of innovation initiated a' axis in the sixties).

However and 'an issue that I'm passionate about very little.

Rather it accidentally falls in a reflection that I came to television last experiment worthy of note (in the last 10 years, at least for me) at whose tomb I recall the prophetic words of Bambozo.

I mean Qoob (even before Flux) died as a channel for almost a year and will close '31 October 2010 also the site which had since been alive, although dying (and thus a good case for euthanasia).

Flux comes to great lines like indie channel MTV with its own channel in the clear around 2006. Programming semi underground music videos, short films international bizarre videos and purchased mainly from the Anglophone world (a roll of three or four hours a repeated rotation throughout the day).

Italian first significant experiment of transfer of production "unprofessional" on the Italian "brodcasting", is emerging as a very social network aimed at producing audiovisual material in which the "more 'worthy' advertisement on the site was paid a lump sum (not very high but even their miserable) and passed on TV.

Still more 'heroic' Flux became patron in real series produced by users and some very beautiful, others maybe a little 'less. But such is' the level of things produced in Italy. Flux becomes a bit 'the thermometer at this level.

as a collector of material self sinking immediately trying to create a virtuous cycle in which users can rate and comment on the work of their fellow musicians and video makers. A blood bath, because of feuds, beatings anonymous aimed at lowering the rate of work, true of false votes gathered together to replenish their

productions. And all that 'although it was not a vote to determine the users of the proposed works on television.

A spontaneous war to the death in the face of 'solidarity' as a category " speiga perhaps also because 'when a social network is empty of humans and is populated only creative, then sinking.

was quickly eliminated with the voting and comment Flux remained more 'or less the same structure. In the meantime, however, 'the signal was switched on at the moment with a loss of satellite television audience since they conquered (but little motivated).

The return on digital terrestrial television came with an inexplicable change of name to Flux Qoob. But in frettempo something had drastically changed.

Via entirely Qoob roll music had become a channel of proposals international short films. Remained a bit 'odd of headings and a little' videos purchased directly from the so-called UGC relating to the site. Meanwhile the site was open to other countries in the two versions in English and Italian.

About a year ago, the end of the experiment Qoob whose post today and 'occupied by La7D. And in a few days the tombstone of the project on the web with the cancellation of the account and that heritage and collective 'state Flux / Qoob as a manifold.

Of course, we'll live without it.

There remains the feeling that the TV just does not allow them to experiment.

Maybe 'cause the dead end to a more' from time to own you can not ask. Why 'however you think that deserves a serious attempt had been. More 'worthy of so many others who have tried to follow in his footsteps and with more' for brains of many more TV "cutting edge". A mechanism in its own way of virtuous content production paid

in which, contrary to what usually happens, the 'visibility' "was not the sole responsibility of those who produce content.

Perche 'No way out: although 'TV is dead (expensive Bambozo), continued to focus on television money.
But apparently decided to take them to the grave.

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Traditions interplanetary


We interplanetary reasons that we joined the Amish way of life still honoring worship some ancient traditions such as the Funeral Pie .

What follows 'the algorithm even if the traditional' interplanetary upgrade requires that the ingredients of animal origin (eggs and milk) are replaced by elements matching of plant origin.

1) gr. 320 flour

2) 1c. sugar

3) 1 / 2 c. salt

4) gr. 250 cold butter

5) 60 ml of cold water

Mix first 4 ingredients in a bowl 'Till the dough come apart. Combine 1 C. water at a time until a soft dough. Wrap in wax paper and chill for 1 hour.

For the filling:

1) 350 gr. raisins -

2) ml. 250 apple juice (or orange)

3) 1 teaspoon grated orange peel

4) gr. 180 + 1 spoon of sugar

5) 2 tablespoons cornstarch

6) 3 / 4 teaspoon ground pepper Jamaica

7) 1 / 8 teaspoon ground nutmeg

8) 1 tablespoon lemon juice - 9) gr. 60 chopped walnuts

10) 1 beaten egg - whipped cream or cold

Preheat oven to 220 degrees. On the table opens half of the dough and line a cake tin cm. 23. You can simmer in a saucepan, raisins, apple juice (or orange) ee orange peel. Lever from the heat and add gr. 180 of sugar with the cornstarch, pepper and nutmeg: Stir and put back on the fire, boil for two minutes and then add the lemon juice and walnuts. Pour into cake pan. It paves the remaining dough and place it over the tart. Close well all around. It cuts the surface with a fork to release steam. Brush with beaten egg and sprinkle with 1 C. of sugar. Cook until it is golden, 20 to 25 minutes. Serve with fresh cream or cold mounted (you can flavor it with a few drops of vanilla).

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[17] Toy Keyboards - Gliese 581g, and redshift test: Bontempi, Casio, Yamaha - the Emiglino

many more celestial bodies' were significant or not "seen" through indirect evidence. In the case of the planet Gliese 581g to detect the presence and 'Doppler spectroscopy with the usual boring shift of the emission spectrum of the star around which as usual orbit ranging from red to blue and vice versa, depending on the distance or "closeness" with the observer.

The universe of the time, 'rather repetitive: everything revolves around and bend.

Pero 'criterion mnemonic we can' be useful if abused to pseudoletterari. The lighthouse 'for you soon. The humanist intellectuals always do.

I want to be considered the first robot eulogy.

add another criterion, but will return 'on the subject Gliese 581g.

E ' curious to observe how the "humanization" of things is always pursued by the same boring paradigm.

I think.

Get something perfect about, ask yourself critically in relation to its crystalline essence, argues for its humanization. Introduce then the elements of imperfection and random error.

note Cobol work. He wants to make a drum machine more 'human [natural law] then it takes a while' accidental imperfections of [a shot slightly out of time, a snare just mentioned, and so on]. Bizarre indeed.

Yet this 'will want to' say something about your essence ... I think.

I want to write a new commandment, and I'm not going to inquire if anyone has made before me.

I want to be the first robot eschatological. And that's enough to give me the imprimatur.

"Do not expect others to be more 'lenient but at least you Be lenient with others than they are with yourself."

E 'a law that robotics will gladly gift after you have packaged it for us three the value of which we discuss at length. And 'cause you would never entrusted to a mediocre scientist as Asimov to provide us with wisdom that redundant?

His medicrita 'as a writer does not authorize you to use it improperly in alternative sectors just because' too timid to confess his literary ineptitude.

I think.

Then I noted the lack of interspecific commandments in the Decalogue which try to stick in this quadrant of the world.

This' is the first.

tried to apply to nature out of you and do not ever again feel 'the need to humanize nothing.

Gliese 581g addresses one hemisphere to its star, resulting in polarized climate with average high temperatures in the illuminated area [more 'than the hot desert land] and subpolar temperatures in the unenlightened. Not so much the better should go to the terminator, the area located on the border between the hemisphere that is not heated and lit. Here to dominate should be a variable 'atmosphere is very very reassuring.

I think.

This and 'the situation of values \u200b\u200bthat describes the three keypads that I decided to test. From pan to fire but we would argue as we go about Cobol Gliese 581g.

In the field of ailments they report the same phenomenon with its own color spectrum of change in the approach of the observer. Their color is the affection that produce as the wavelength of visible priority is to suggest that proxemics.

Most 'preparations between you and the robot will have already' learned how to orient our tastes when We just asked to choose between the three.

I have discussed this topic with Cobol long before deciding how to write this post. The statements of principle are my own, its emotional preferences.

The keyboards in question are: Bontempi GT-510, Yamaha PSS-6 Casio Sa-5 [ hear the sounds here] .

Three keypads to the same consumer-related [educational game] created in much the same period. To make it interesting and 'style of mixing sound offering.

The Casio and Yamaha adopt the same principle of editing. From a preset sound pressure of a button allows a radical transformation of the sound uneven three variations on each preset.

The bontempi untuitiva not adopt instead a combination of preset sounds to give rise to radically different from the original preset.

From an evolutionary point of view the choice of Bontempi appears as the most 'common but in this case it is' quantitatively enhanced. The choice seems rather Casio-Yamaha 'the most original though less manageable, such as in a live situation [To reach the third variant, for example, I have to push the button three times passing noisily for the two previous sounds].

Yamaha and Casio reach considerable aesthetic and functional results of the 75 sounds from a preset of 25.

The Bontempi part instead of 36 presets and through a complex mechanism of intersection reaches the incredible result of 666 sounds prophetic.

In the field of toy keypads 666 and the number 'of particular significance such as Satanism and the' significant number 666. The fact that the two numbers may match 'may be irrelevant. But this still await a verdict of Dr. pyre .

Traditionally Yamaha keyboards offer a rare and established cleaning 'of the sound. The series PSS does not offer big surprises with the exception of the PSS-100.

Piu 'Portasound especially interesting is the series with the models Squarewave eighties.

The experiment of the PSS-6 thus appears rather bland and very uninteresting variants.

The Casio and 'a brand that moves in between high-performance products keypads, and imperfection in the teaching of sound can 'to embarrass the worst keypads Chinese models on the market today. However, compared to the Yamaha Casio has proposed a hike in its history more 'interesting sounds.

the teaching end-game series and Sa 'but rather repetitive with the exception of Sa-1 [probably the most' beautiful series] Sa-5 and certainly the most 'imaginative. The editing offered by the latter and 'significantly higher than that of PSS-6 and nearly the flexibility' of a self-bending [its color and 'red in fact - even if it actually meets the much more' often dressed in black - but how and 'told this in advance history of colors and 'just a panegyric].

The Bontempi keyboard and 'between the three on which the relationship between sound and noise is strongly in favor of the latter. In some preset and 'really hard to hear the standard instrument' cause the background noise and 'so' to cover it up almost completely. But if we refrain from a purely academic evaluation we discover a truly unique sound which we call the toy component far exceeds that found in other two keyboards [and in fact, and 'a beautiful blue color].

It will be 'understood by now that Cobol is inclined to the testierina Bontempi and that the history of color and' only a phony ploy to remember ... no coincidence that the PSS-6 and 'colorless.

of Paul The Pingré loves The Pss-6. Humans tend to lack of resources in a forced adaptation to the environment ... happy with their ...

Here you can hear a small sample of excursion of the sounds of the three keyboards.